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Founded in 1925, The New Yorker hardly changed for its first 60 years, both in its dry, type-heavy design and in its reputation as a writer's and reader's haven. In 1987 it was on only its second editor when management decided to shake things up. A rocky decade ensued, but The New Yorker is now back at the top of its game under David Remnick's editorship. Each issue offers commentaries and reporting on politics, culture, and events, with a focus that's both national and international; humor and cartoons; fiction and poetry; and reviews of books, movies, theater, music, art, and fashion. Several times a year special issues focus on a theme--music, fashion, business. The writing is mostly first-rate, frequently coming from top literary and journalistic talents. The New Yorker's weekly issues can seem overwhelming--so much good stuff to read, piling up so fast!--but it's as easy to dip in for a small snack as it is to wade in for a substantial meal. --Nicholas H. Allison

CATEGORY: Magazine

MANUFACTURER: Conde Nast Publications Inc.

FEATURES: Magazine Subscription

TYPE: General Interest, Literary, Lifestyle & Cultures (Guidance), Ideas & Commentary

MEDIA: Magazine

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Customer Review of The New Yorker
Bread and Butter
The new yorker was love at first site for me - I saw it on a friend's coffee table and I was drawn in intially by the photography and the intelligence of the writing. People always refer to the "Tina Brown ERA" as if it was a total disaster...but I disagree...perhaps because it coincided with my mid to late 20's, shortly after I first started subscribing to the magazine, when I needed culture as much as I needed knowlege. I thought TB added some sparkle to the nerdy publication - I loved the photo essays, and the women's profiles - I remember reading about Elizabeth Dole and Hilary Clinton, etc. Tina Brown got me hooked. David Remnick kept me going on a more nutritious and wordy diet. I do read it every week - skim, remove cards, read comics, check out the articles, go back to read the ones that are interesting. I have no idea why people would feel that they have to live in NYC to benefit.

you don't have to be a New Yorker to love it, but it helps
I was introduced to the New Yorker when I first arrived at grad school--and have been an avid fan ever since. You don't have to live in NY to love this magazine! Its articles, stories, cartoons, poems and commentary never fail to turn a cup of tea on an afternoon break into something more--like being invited to engage with the clever minds of our day. If you are no longer in school, staying well informed in this way is priceless. There are insights here that appeal to our need to be reading something with style so thoroughly that they make you wish your busier friends had enough time to discuss some of the controversial or witty contents with you. The cutting edge reporting is unparallelled in "literary" magazines of this sort. I will never forget the provocative articles on low energy radiation and cancer that caused such a stir in the late 80's, when people began exposing themselves to computers on a regular basis. The New Yorker is a gem. Picking up a copy is like fine dining in an era of junk food. Treasure it.

almost forgot to mention the cool covers
The New Yorker is both a blessing and a curse for me. It's a great magazine, but sometimes I feel so compelled to keep up with my weekly New Yorkers that I find it feeling like a burden. <
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>My brother has a system, he just shared it with me, I hope he doesn't mind me sharing with you. The day a new issue arrives, he immediately goes through page by page, removes the subscription cards and advertisements, reads the cartoons and asides ("constabulary notes from around the world," "Block that Metaphor"), scans the poems, and gets the lay of the land. He then goes back later with a map in mind of which articles need to be read, and can tackle them undistracted by the rest of the magazine. I don't know, he says it works for him, he never falls behind. <
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>My grandfather read the New Yorker every week. He had a coffee table filled with the newspapers and magazines he subscribed to. He also drank tanqueray. He did not do Sudokus or listen to Gabby La La, but perhaps would have if born in a different era. He had big bookcases filled with wonderful books. Sometimes a visitor would marvel at how many books he owned, and ask "have you really read all these books?" He would answer, "no, not all." And after the visitor left, he would gently and with remarkable restraint, explain to us why the question asked reveals a lack of education and sophistication. "...any serious reader knows that nobody has read all the books in their collection" <
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>In my review of Highlights Magazine (or as my daughter calls it, "Maz-a-Gine"), I called it the New Yorker of kids literature. So it is only fair for me to now pronounce the New Yorker to be the Highlights Magazine of adult lit. A little old-fashioned, snobby, a touch stale, but still the best there is. I didn't even mind it during the Tina Brown era, it lost a little of its uniqueness temporarily but was still a cut above the rest. I wouldn't mind if there was a little more variety in the poetry, less of the same types of dreary poems about growing older and having your lover die from the same dreary poets, more of an effort to discover new poets. I love the fiction issues when they attempt to showcase new writers. <
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>I'd possibly get more out of it if I lived in New York. As it is, I'm mostly taunting myself by reading the "Goings on about town." <
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>Lately I've been especially enjoying the political essays in "The Talk of the Town" by the likes of Hendrik Hertzberg, David Remnick, as well as the journalism of Seymour Hersh. This kind of reporting is more important than ever, important to be appearing in a mainstream, respected publication during a time when the executive branch is doing everything in its power to intimidate an already cowed media. Henrick Hertzburg's recent essay on the proposed flag burning amendment. I intuitively know what he is saying, intuitively believe it to be morally and philosophically correct, but can't articulate my thoughts with the elegance and clarity of Mr. Hertzburg. He concisely lays out not just how wrong the amendment is, but also how irrelevant the issue is in all but a symbolic, abstract dimension. He writes that Republic and Democrat supporters "do not seriously regard it is as a good let alone necessary idea," and sprinkles in the beautiful parenthetical "(intellectual corruption, like the venal variety is no stranger to either party, even if, in the present era, both varieties are more common among the Republicans.)" Good stuff, Papa would have appreciated it. <
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>Buy it, subscribe, enjoy. <
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