Aaron Rosand Plays Joachim, Hubay, Enesco, Ernst, Godard, Lehar, Ysaye, & Wieniawski Music

Cheap Aaron Rosand Plays Joachim, Hubay, Enesco, Ernst, Godard, Lehar, Ysaye, & Wieniawski (Music) (George Enescu, Heinrich Wilhelm Ernst, Benjamin Godard, Jeno Hubay, Joseph Joachim, Franz Lehar, Henryk Wieniawski, Eugene Ysaye, Louis de Froment, Luxembourg Radio Orchestra) Price

CHEAP-PRICE.NET's Cheap Price: $10.98

Here at Cheap-price.net we have Aaron Rosand Plays Joachim, Hubay, Enesco, Ernst, Godard, Lehar, Ysaye, & Wieniawski at a terrific price. The real time price may actually be cheaper- click on the 'Buy Now' above to check the realtime price of Aaron Rosand Plays Joachim, Hubay, Enesco, Ernst, Godard, Lehar, Ysaye, & Wieniawski at Amazon.com.

It's a real puzzle why a great violinist like Aaron Rosand has never had the major career he deserves. His misfortune benefits bargain hunters, as this wonderful collection of mostly obscure Romantic violin showpieces winds up on a super-bargain label. If this kind of music attracts your fancy, you will seldom, if ever, hear it played with more passion and flair, or better command of the instrument, than Rosand offers. The orchestra is distinctly second-rate, but it doesn't matter much in pieces where the focus is so firmly on the soloist. There's a lot of fun and some surprisingly good music (like the Joachim) in this set. --Leslie Gerber

ARTIST: George Enescu, Heinrich Wilhelm Ernst, Benjamin Godard, Jeno Hubay, Joseph Joachim, Franz Lehar, Henryk Wieniawski, Eugene Ysaye, Louis de Froment, Luxembourg Radio Orchestra

CATEGORY: Music

MANUFACTURER: Vox (Classical)

FEATURES: Box set

TYPE: Violin with Keyboard, Classical Artists, Chamber, Classical Music, Violin Concerto, Concerto, Suite for Orchestra, Classical, Orchestral

MEDIA: Audio CD

TRACKS: I. Allegro Un Poco Maestoso, II. Romanze: Andante, III. Finale Alla Zingara: Allegro Con Spirito, I. Introduction Quasi Fantasia: Moderato, II. Scherzo, III. Adagio, IV. Finale: Allegro Con Fucco, Prelude For Solo Violin, Op. 9, Concerto In F Sharp Minor For Violin And Orchestra, Op. 23, Concerto Romantique In A Minor, Op. 35, Chant D'Hiver In B Minor, Op. 15, Hungarian Fantasy, Op. 45, Hejre Kati For Violin And Orchestra, Op. 32, Concert Polonaise In D Major For Violin And Orchestra

# OF MEDIA: 2

UPC: 047163510229

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Customer Review of Aaron Rosand Plays Joachim, Hubay, Enesco, Ernst, Godard, Lehar, Ysaye, & Wieniawski
Hurrah for Joachim!
My own favortie is the Joachim piece--to me a perfect concerto with material developed tightly around strong themes and without persiflage. Joachim never again rose to this level of excellence. As for Rosand he maintains the level of excellence we have come to expect. Totally satisfying.

Rare unheard of Romantic pieces
Mr. Rosand has certainly marketed himself and maybe intentionally typecasted himself for specializing in these lost and forgotten compositions of the "Romantic era" which no one else seems to have really taken an interest in playing until his arrival on the concert scene. <
> <
> There are some good recordings on this two CD set like the Wieniawski Polonaise in D major. He shows technical facility in the Ernst Concerto in F# minor, generally a good sense of rhythm, and a unique tonal palette; yet a person might ask oneself why has he not broken to the top echelon of great soloists like Perlman, Milstein, and Heifetz? The key answer to that is his often faulty and inaccurate intonation on all of his recordings and in his live performances. Take the opening two notes of the violin part from the Joachim Concerto (A, and E) as an example; they are played off pitch. There's no arguing there, two very exposed notes like that have to be played in tune. In the first movement of the Joachim Concerto there is a repeated sequence of D-naturals in a melodic figure. Each D-natural is different in pitch. Rosand's intonation often goes astray in higher registers (mostly sharp) sometimes as far as a quarter tone off mainly due to an excessive use of vibrato reminiscent of an ailing soprano past her prime. Rosand is someone who enjoys using portamento obviously even to the degree though they can become quite tasteless. The slides he uses in the Joachim are not subtle at all. The portamento at times doesn't arrive at the note on time and sounds more like he wasn't quite sure where the note was. <
> <
>All and all this is a good recording, certainly not one of great distinction or profundity but on the other hand fun to listen to since the pieces are quite good and not really recorded by anyone else.

Rosand is a sublime artist!
First at all , the warmthness , the musicality and the virtuosism emanated from the soul of this reinassance man establishes a sutil difference with the majority of the violinists in the actual times . <
>Rosand is superb . And take in mind his repertoire includes several unknown pieces of the musical literature. <
>He does not seem to have any problem with that , and the works recorded here proves this statement . Joachim and Hubay violin concerts are not precisely the battlehorses in the most of stages around the world . <
>He made the world premiere recording of the Sibelius Humoresques for violin in the early sixties and the Rimsky Korsakov or Arensky violin concerts . <
>I had the great honor of appreciate his craft twice in Caracas in 1978 with the Sibelius violin concerto and in 1980 February with the PAganini violin concerto No. 1 . <
>He is a charming human being , and gave us two unforgettable encores playing Bach partita No. 2 and a Paganini Capriccio No. 17 . <
>Try to get as soon as possible this fundamental issue who will let you know much more about this legendary violinist and best person .

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